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talent imitates, genius steals

Somebody remind me again why I’m sitting at a desk on the ‘puter instead of dancing all day, every day? Oh yeah, because this is the best toy ever made (and pays the bills). Anyhoo… recently came across this dance scene below, which sent me down a path of Cyd Charisse, Fred Astaire, Bob Fosse, Michael Jackson and all the outrageous artistry and interconnectedness of it all. Cyd’s ferocity absolutely slays me in this — there’s actually a lot of flamenco footwork, arms, duende in there, which resonates deeply with me. If I had the time I’d lay a rapid-fire Spanish guitar and cajón track over it:

It’s no accident that Michael’s Smooth Criminal looks quite a lot like this. (There’s a cool scene-based comparison here: Michael Jackson & Fred Astaire: The Master & His Teacher.) Or that Beyoncé’s “Naughty” dance scene with Usher takes a page from it too.


And from the amazing, liquid Fosse in the 1974 movie The Little Prince, playing the snake. Set to “Billie Jean”, well, because, evidently it was the main inspiration for it:



Alright alright! One more. This is a great montage / homage — I found it (ahem) thrilling …



I could watch this stuff forever. If you need me I’ll be over here watching West Side Story


sitting in the sun

Yesterday I sat in the sun for hours doing nothing. Literally. Nothing. Not reading, writing, photo-ing, thinking. Just sitting. It was a huge change of pace for me, some time for meditation, some time to recharge. I then ran around Cottage Grove capturing some of the little details that make it such a sweet place.

More here by Sarah Jurado. Love her eye.

@sarahjurado


Sutro Baths Ruins, the movie

This just made my day. I’ve spent countless hours there and this made me see it with new eyes. Posted to the Sutro Baths fan page on Facebook (by Barton Bischoff).

Sutro Baths Ruins • San Francisco from barton bishoff on Vimeo.

Related filmmaker post: Ruined? When taking a bath in San Francisco didn’t mean your options had tanked.


chevron

“Gareth Pugh’s emblematic chevron is also one of the symbols of Art Deco, and the glamour of the Deco years in Hollywood was one of the sub-currents in the designer’s latest collection.”


thou shalt not

In 1934 the MPAA voluntarily passed the Motion Picture Production Code, more generally known as the Hays Code, largely to avoid governmental regulation. The code prohibited certain plotlines and imagery from films and in publicity materials produced by the MPAA. Among others, there was to be no cleavage, no lace underthings, no drugs or drinking, no corpses, and no one shown getting away with a crime.

A.L. Shafer, the head of photography at Columbia, took a photo that intentionally incorporated all of the 10 banned items into one image.

The photograph was clandestinely passed around among photographers and publicists in Hollywood as a method of symbolic protest to the Hays Code.

[via snacktime]


rose-colored glasses